![]() Viewers know him thanks to his work on many animated films and in particular his collaboration with directors Zdeněk Smetana and Václav Bedřich. Celba was a person whose musical talent was practically developed, as he himself was an active jazz bass guitar player. From 1953 to 1957, he attended evening courses of composition and conducting at the Prague Conservatory. He studied at the Czech Technical University and the Charles University in Prague. These melodies immortalised composer Jaroslav Celba (1924–2013). When talking about music in this context, most viewers instantly remember the melodies from Fairy Tales from Moss and Fern and Poppy-seed Girl and Butterfly Emanuel. The number of soundtracks also makes him the most prolific composer of music for Czechoslovak animated film.ĭirector: Václav Bedřich, Czechoslovakia, 1975, 8 minĭirector: Jiří Brdečka, Czechoslovakia, 1971, 10 minĭirector: Jiří Tyller, Czechoslovakia, 1980, 5 minĭirector: Miroslav Štěpánek, Czechoslovakia, 1969, 5 minĭirector: Václav Mergl, Czechoslovakia, 1970, 11 minĭirector: Jiří Brdečka, Czechoslovakia, 1973, 3 minĭirector: Lucie Dvořáková, Czechoslovakia, 1984, 4 minĭirector: Garik Seko, Czechoslovakia, 1978, 7 minĭirector: Pavel Koutský, Czechoslovakia, 1983, 8 minĭirector: Jan Mimra, Czechoslovakia, 1981, 9 minĭirector: Václav Bedřich, Czechoslovakia, 1974, 4 minĭirector: Břetislav Pojar, Czechoslovakia, 1973, 14 minįor many people, Czech animation is connected to the Bedtime Stories series. His clear focus thus makes Kolafa unique in our cinema. ![]() Jiří Kolafa’s filmography includes basically just music for animated films, in which he truly achieved mastery. His passion for animation (and music) was manifested among other things in the selfless help he gave the students of the Academy of Arts, Architecture and Design in Prague. His music can be heard in all the iconic films by Vladimír Jiránek. He also worked on 10 films with Garik Seko. He worked with directors such as Václav Mergl and Břetislav Pojar – he composed the music for almost all their films from the 1970s onwards. He worked on at least 80 short authorial films and composed music for nearly 150 episodes of various series. ![]() Apart from recording music, conducting orchestras and writing musical theory papers, he also lectured at the Theatre Faculty and the Film and TV School of the Academy of Performing Arts in Prague from the 1960s. He wrote many compositions, four oratorios, chamber music, five song cycles, and over 300 productions for theatre, film and television. The biggest expert on music for animated films among Czechoslovak composers, Jiří Kolafa (1930–2001), was yet another classically educated composer with a master’s degree (Prague Conservatory, Academy of Performing Arts in Prague). ![]()
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